Motion designer/Designer

Motion designer/Designer

Here is a compiled list of the most recent works with my roles & works on each project!

01_Spotify Wrapped 2022

I was responsible for working with the Ae template and creating social guidelines in the master template so the common design elements were consistent and aligned throughout the spots.

  • Execute the motion graphics and render out each assigned spots

  • Update/reflect the Master template with each round of revisions from the client

  • Quality checking all the deliverables before posting to make sure all the copies, colors, and image assets are precise and motions/placement of assets are consistent

  • Multi-machine rendering on DOOHs so that all the deliverables could be ready in a short span of time to meet the client’s deadline

  • Being thorough with file naming and organization since there were over 100s of files to deliver in different formats, both in mp4 and movs

Director Vucko
Client Spotify

Motion Design
Creative Director Itay Tevel, Felipe Posada
Motion Designer Cynthia Larenas, Larisa Martin, Érico Santana, Alma Kim, Juan Martin Ayerbe, Fede Cook, Jeejung Kim, Amália Lage, Joash Berkeley

Software: After Effects

02_Spotify TOP 5

I was responsible to build out the 3d album carousels in C4D and to have it comped with other texts/logo elements in Ae. There were two different carousels, the one where albums are vertically standing and the flattening version.

  • Created 3D carousel animation in C4D and rendered it with redshift

  • Comped 3D assets in Ae and have all the other design assets animated with the music provided

  • Execute any feedback from creative director and clients

  • Render out multiple social ratios with cosistency in design/brand and with correct formats for DOOHs

Client Spotify

Motion Design
Creative Director Felipe Posada
Motion Designer Alma Kim

Software: C4D(Redshift), After Effects

03_Paid Leave for All

An amazing campaign run by Mother to bring out dark humor about how Paid Leave program in the US is quite ridiculous. I had a great team working on this where I was responsible for creating OOH animations for TSQs and other BHS motion snippets.

Client Mother
Creative Director Natalie Labarre
Motion Designer Seongjin Yoon, Alma Kim, Amalia Lage

Software: After Effects, Ai, Psd

OOH for Timesqaure

04_Chase Pitch Work

A really quick pitch work on Chase! From concept & design exploration to motion tests!

  • Create design concepts that are specific for the pitch work; working within the brand guideline and following the direction from the creative director based on the ref/feedback

  • Execute the motion design that matches the overall concept of the pitch to enhance the idea behind it

  • Work with the team to push out quality work on a time-sensitive deadline

Client Chase

Motion Design
Creative Director Reece Parker
Motion Designer Thiago Steka, Seongjin Yoon, Alma Kim, Ricardo Drehmer

Software: After Effects, Psd

Initial design explorations

Sh030_flamingto part

Sh030_flamingo part

My contribution to this is the flamingo section with water, plants, and trees and having the flamingo walk into the frame.

Sh020_the man taking photos

My work was on animating the male character taking a picture of the airplane flying away!

Elements design sheet for final design

05_Obsessed Film 4

Obsessed Film 4 was an internal project where the whole concept was to do a case study on futuristic clothing products. These are my design/3d elements explorations. We were provided with a limited color palette and the temporary mock-up brand name “SRFC” as a placement.

  • Build out an asset library of 3d elements for the team to utilize and work with

  • Explore motions and design languages based on the concept and feedback from the creative director

Client Hornet(Internal project)

Motion Design
Creative Director Itay Tavel
Design & Motion Design Alma Kim

Software: After Effects, C4D(Redshift)

06_ACLU

I was responsible for working on two spots on this job where I was tasked to work with different designs and different footage.

  • Execute motion designs on the shots that I was assigned on the spot

  • Work with Ai, psd files that were provided by the design/illustration team

  • Track motions on live-action footage to match the motion to the video

Client ACLU

Director&Illustrator Bee Grandinetti
Animator Alexandra Lund, Bee Grandinetti, Alma Kim,
Compositor Bee Grandinetti, Alexandra Lund

Software: After Effects

07_WhatsApp Pitch

This pitch was to add more interactive motion to Whatsapp texting. Based on Whatapp’s brief, we wanted to approach somewhat generic motions to each emoji so the motions on them are quite straightforward, supporting the context of each emoji. Also, I was tasked with a simple motion exploration of the UI icons to keep the UI more interactive for the users.

  • Creted motion samples for emojis and UI icons for the app

  • Followed the creative direction from the lead to match whatsapp’s brand guidelines where they wanted a more clean and minimalistic approach to their assets being animated

  • Executed different options in terms of motion languages for the client to see the difference in how motions would work in each scenario

Client WhatsApp


Motion Design
Creative Director Reece Parker
Motion Designers Alma Kim

Software: After Effects, Illustrator

Emojis and icons motion exploration ^^

A more dynamic reaction animation

A cleaner reaction animation

08_Ford Pitch

For Ford’s electric car pitch, my main task was creating design frames and style explorations. We were provided with the copy where I designed a few layout and composition options with the motion to be added later in mind. Since it was a quick turnaround for the pitch, we did not have much time to explore motions but still, these designs were within Frod’s branding guideline and their brief.

Client Ford

Motion Design
Creative Director Reece Parker
Designer Renaud Lavency, Loris F.Alessandria, Alma Kim, Seongjin Yoon


Software: After Effects, Illustrator

Ford provided us with two main electric cars to be considered. We were exploring different design languages to find a style that still reflected realistic ratios and specific car features like headlights but still had a fun 2d-ness.

Different layout + composition options for the same copies. Most of the style frames are always designed with how the motion will be applied later on in the production.

ford_car_1
ford_car_2

09_50k

Internal anim-jam for a social post and this was my contribution to the project! It was a lot of creative freedom as long as it had the given 50K template animation that has to be consistent in anyone’s work for editing purposes and the color palette!

Motion Design
Creative Director Itay Tavel
Designer&Motion Designer Alma Kim


Software: After Effects, Psd, C4D

Initial sketch

BTS of the whole project!

FINAL!

Thank you!